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![]() 'The second child of this family was a daughter Frances (wed Thomas Thynne, 1st Viscount Weymouth)', and in 1657 the third was a son named Heneage, born January 11, 1657. William Finch was his first son and heir by Mary and born before 1654, he bore the courtesy title of the Lord Maidstone, and later died in battle at sea.She was the mother of John Finch, 6th Earl of Winchilsea, who died unmarried and without issue. He married his fourth wife Elizabeth Ayres on 29 October 1681. He married third, Catherine Norcliffe, daughter of Sir Thomas Norcliffe, on 10 April 1673. His married his second wife Mary Seymour the daughter of William Seymour, 2nd Duke of Somerset and Lady Frances Devereux, about 1650. He married his first wife Diana, daughter of Francis Willoughby, 5th Baron Willoughby of Parham and Elizabeth Cecil, on. He married four times and was the father of at least 16 children. His first cousin was Heneage Finch, 1st Earl of Nottingham. Finch was the son of Thomas Finch, 2nd Earl of Winchilsea, and the grandson of Elizabeth Finch, 1st Countess of Winchilsea.Sir Heneage Finch, 3rd Earl of Winchilsea (1628–1689) of Eastwell, Kent, was the 3rd Earl of Winchilsea.Cokayne, and others, The Complete Peerage, volume XII/2, page 588. Hereinafter cited as The Complete Peerage. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910-1959 reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume XII/2, page 587. ![]() 'Children of Frances Finch and Thomas Thynne, 1st Viscount Weymouth.' From before 1672/73, her married name became Thynne.1 As a result of her marriage, Frances Finch was styled as Viscountess Weymouth on 11 December 1682.Mary Coventry, before 1672/73.1 She died on 17 April 1712.1 She was buried on at Longbridge Deverill, Wiltshire, England.1 ' Frances Finch was the daughter of Heneage Finch, 3rd Earl of Winchilsea and Lady Mary Seymour.1 She married Thomas Thynne, 1st Viscount Weymouth, son of Sir Henry Frederick Thynne, 1st Bt. ![]() ![]() PILLR’s 3-part design comes together to create its minimal, simple form factor. Its strong presence gives it the appeal of a desk sculpture, and once you place a laptop on it, the PILLR enters a functional mode, elevating your laptop to reduce neck pain and boost productivity. With a minimal, sculpture-esque design, PILLR looks pretty darn good even without the laptop on it. Adding to the inherent feature of keeping the device sturdy in place without any lateral movement and the intuitively positioned ventilation holes, Maotoam’s offering has something more! The world’s first ergonomic laptop stand with an integrated 13-in-1 USB-C hub, making it a one-stop solution for connectivity to all your gadgets. This adjustability gives you the ability to orient the laptop/tablet screen position in more ways than not. The durable stand has multiple height adjustable angles and forward and backward position adjusting liberty for laptops or even tablet – tested for over 20,000 uses. Slightly larger than a sheet of A4 paper, and at nearly half an inch thick, the MOFT Z can be kept on your desk, stored in a drawer, or a shelf, among folders. The MOFT Z was designed to be used independently, without being stuck to the back of your laptop (like the original MOFT). The MOFT Z does this using an innovative Z-shaped folding system along with its signature PU and fiberglass material which allows the laptop stand to have a high strength to weight ratio while being thin enough to slide right into a Manila envelope. ![]() The MOFT Z even transforms your sitting setup into a standing one, elevating your laptop up by as much as 10 inches (25 centimeters). It does come with the ability to prop your laptop at three angles, but that’s not all. The MOFT Z was designed keeping the original MOFT brief in mind but was made to push limits. When HUB–OX is split in two, users can plug the USB-C chargers into all four of their MacBook Pro’s ports, lifting their laptops to an angle of 7.7° to keep them charged and at eye level for the rest of the day. HUB–OX is compatible with MacBook Pro models that have four USB-C ports, generally any MacBook Pro from 2016 or any of its succeeding generations. Its flat-pack and lightweight (weighing just 6.5 lbs) nature give you the freedom to tuck it away when not needed or even to take it along during travel for remote work regimes.ĭesigned to be portable and compact, HUB–OX initially comes as a lightweight, palm-sized USB-C hub, which splits into two halves, both equipped with plenty of charging slots, HDMI connections, and ethernet ports. Yes, this stylish yet functional standing desk is tailored for use with your laptop – virtually transforming your table into a standing desk when the need arises. It is simple to carry and disassemble, with the option to adjust the height of your keyboard and mouse tray, giving it the flexibility of use with your laptop. The RLDH Alto Standing Desk is a thoughtful flat-pack accessory designed keeping in mind your multiple needs if you can’t invest in a height-adjustable desk. ![]() After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "break up, get back together, break up, get back together, just, ugh, the worst". The trio conceived the concept for "We Are Never Ever Getting Back Together" shortly after a friend of Swift's ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her former flame were reuniting. Thus, she called Max Martin and Shellback, two songwriters and producers whose work she admired, to discuss a possible collaboration. ![]() A re-recorded version of the song is featured on Red (Taylor's Version), Swift's 2021 re-recording of her 2012 album.Īfter writing Speak Now (2010) entirely solo, Swift opted to collaborate with different songwriters and producers for Red. Swift included the song on the set lists of four of her world tours: the Red Tour (2013–14), the 1989 World Tour (2015), Reputation Stadium Tour (2018), and the Eras Tour (2023). The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Award for Top Country Song, a Grammy Award nomination for Record of the Year, a CMT Music Award nomination for Best Music Video, and a People's Choice Award nomination for Favorite Song. The music video for the song was released on August 30, 2012. The single spent a record-breaking nine consecutive weeks topping the Hot Country Songs chart and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.S. Billboard Hot 100, the single debuted at number 72 and rose to number one the following week, registering one of the biggest single-week jumps in chart history. "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top five in Australia, Ireland, Israel, Japan, and the U.K. ![]() The song appeared in year-end lists by Rolling Stone, Time, and The Village Voice. Music critics praised the track for its catchy melody and radio-friendly sound, though some described its lyrics as subpar for Swift's songwriting abilities. An alternate version was released to U.S. Its lyrics express Swift's frustration with an ex-lover who wants to rekindle their relationship. An upbeat incorporation of many pop styles, "We Are Never Ever Getting Back Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word bridge. Swift wrote and produced the song with Max Martin and Shellback. pop radio as the lead single from Red on August 13, 2012, by Big Machine Records. It was released for digital download and to U.S. " We Are Never Ever Getting Back Together" is a song by American singer-songwriter Taylor Swift, taken from her fourth studio album, Red (2012). "We Are Never Ever Getting Back Together" on YouTube " We Are Never Ever Getting Back Together" "We Are Never Ever Getting Back Together" ![]() The cutscene after "Deus Ex Machina" depicts the NES exploding off-screen, which Zack describes as a result of the rap battle being really intense.The inverse also happens to Gezora and Titanosaurus upon taking them down. As per the norm with Godzilla: Monster of Monsters, losing a song as Godzilla, Mothra or Xolta will cause them to begin exploding and falling off-screen.Not-So-Harmless Villain: Parody as he may, Scratch still proves himself to be a decent threat when he shows Boyfriend Girlfriend's brutalized corpse halfway into "Too Scratch".Mid-Battle Tea Break: During John Madden's long keyboard solo in "Deus Ex Machina", Xolta takes a break to watch TV until Madden gets back to singing.The latter of the two, like in the original creepypasta, even melts away following his defeat. Ominous Visual Glitch: This comes in spades when fighting Gezora and Moguera during the Mars part of the mod's story, who glitch out a lot near the end of their final songs.Jumpscare: Suitmation Trials Godzilla will deliver one should the player lose in "First Instance".Scratch also fits this, though somewhat less so as while he originates from a Stylistic Suck parody of Sonic.exe, "Too Scratch" does take itself much more seriously than "Deus Ex Machina". Joke Character: John Madden and Xolta in "Deus Ex Machina", originating from a joke alternate ending to the creepypasta.If all your monsters run out of HP, it's Game Over and you'll have to start over from the last planet you got to. Any remaining HP is transferred between songs, and you can escape a fight at any time to switch monsters. Hit Points: In the main Story Mode, in contrast to base FNF, Godzilla and Mothra each have a separate HP bar.Harder Than Hard: Entering the code "elgamerpobre" will turn Godzilla and Mothra into One-Hit-Point Wonders, making the game much harder to beat.In the demo's case, there's a Godzilla Mix and Mothra Mix for all three Mars songs. Developer's Foresight: Throughout the mod's Story Mode, save for "Amoeba", there's a unique variant of the songs for all monsters playable in those points of the game.Demoted to Extra: Boyfriend, while being the primary protagonist of Friday Night Funkin', takes a backseat and only appears in songs exclusive to the Vault, Godzilla and his crew instead serving as the lead playable characters for the Story Mode.Brutal Bonus Level: "First Instance", available from the Vault, proves its difficulty with the fast pace of the song and the really hard charting during the song's last few seconds, meaning it's really hard for anyone to get a full combo on the song.When Scratch reveals he's killed Girlfriend in "Too Scratch", her corpse is shown to have her eyes gouged out and her limbs violently torn off with the bones still sticking out.Suitmation Trials Godzilla twists its body in many unnatural ways in "First Instance", from creating holes in its face to stretching its jaw to a tremendous degree.Autobots, Rock Out!: During one part of "Deus Ex Machina", John Madden and Xolta whip out guitars and use them against each other before Madden tosses his as Xolta to attack him.However, the songs wouldn't be nearly as good as they are if they couldn't have a pitch dynamic to them. ![]() Acceptable Breaks from Canon: None of the Kaiju (save for Solomon) are capable of having any sound save for their roars and battle cries.A God Am I: Scratch/Godzilla.exe remarks the infamous "I AM GOD" line when he reveals that he killed Girlfriend during "Too Scratch".This mod contains examples of the following tropes: When PPL opens, select Print, then in the General Settings tab select your printer, Media Type, paper size, quality setting and other options. Adobe® Photoshop Elements®: File > Automation Tools > Canon Professional Print & Layout.Adobe® Photoshop®: File > Automate > Canon Professional Print & Layout.Adobe® Lightroom®: File > Plug-in Extras > Canon Professional Print & Layout.Canon Digital Photo Professional (DPP): File > Plug-in printing > Print with Professional Print & Layout.You can use PPL on its own or as a plug-in within your preferred image editing software: This is updated from time to time to support new models and features, so it's a good idea to check you have the latest version and, if not, download and install it first. ![]() There are very clear instructions and useful advice about this on the Hahnemühle website, for example.įor greatest control when printing using Canon printers, Canon recommends its own Professional Print & Layout (PPL) software. How do I use ICC profiles, and which ICC profile should I use?īefore you begin, if you're using third-party papers, you might have to download the appropriate ICC profile from the paper manufacturer's website. Every single paper needs its own, specific ICC profile." For example, I find that matte and Fine Art papers work really well for stonework in architectural shots. Ultimately, there's a wide selection of papers available which can better suit different types of image. "As well as glossy, matte, bright and natural, you've also got lustre, semi-gloss, pearl and a whole range of Fine Art papers. The latter can have optical brighteners in them, a bit like those used in laundry detergents, that react to ultra-violet and light up to give extra punch," he says. "Another factor is that some papers are 'natural white' whereas others are 'bright white'. There's a reduced range of brightness levels overall. A good quality matte photo paper might also have quite a bright 'paper white' value, but won't be able to reproduce such intense blacks. Its contrast and ability to display bright colours makes it great for vibrant landscapes, holiday snaps and the like. "Glossy paper has a particularly high dynamic range," Keith says, "and is able to reproduce very bright whites and very dark blacks. There's a huge range of photo paper types and styles on the market, with some being better suited to different types of photo image. Here Keith Cooper, owner of Northlight Images and renowned industry expert on all things print-related, answers your questions on how and why to use ICC profiles to ensure accuracy and optimum quality in your photo printing.Īre different types of paper better for different sorts of shots? In addition, by careful use of ICC profiles, you can get the best possible match between your image on-screen and in print, helping you avoid disappointment and frustration and put a stop to wasting time and money. However, there are some initial steps you can take to prevent common problems and minimise surprises, such as calibrating your monitor and adopting a colour-managed workflow. To some extent, of course, an image will never look exactly the same on paper as on screen, because a print is reflective with subtractive colours (meaning that the more ink you add, the darker and generally muddier colours become) while a computer screen is a transmissive light source itself, with additive colours (the more you add, the brighter and generally more intense colours become). Isn't it frustrating when what you get on paper doesn't match what you see on screen? Photo printing can seem like a dark art sometimes, even when you're using some of the latest and greatest printers, like the Canon imagePROGRAF PRO-300 and Canon PIXMA PRO-200.
shall have no responsibility for any error or omission. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). EGYPT ORTELIUS (ABRAHAM) Aegyptus Antiqua, Antwerp, 1584. ![]() ![]() The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Books, Maps, Manuscripts and Historical Photographs / ORTELIUS (ABRAHAM). Abraham Ortelius's Aegyptus Antiqua, Amsterdam, 1595, large double-page folio map, hand-colored, matted and framed, 20 x 13 3/4 in. 1610, hand-colored double-page small folio engraved map on laid paper, blank on verso, matted, 15 3/4 x 13 in. William Hole's Scotia Regnum, from Camden's Britannia, c. 5.10 Abraham Ortelius, detail from Cenomanorum ( 1594 ), in Theatrum orbis terrarum 152 5.11 Abraham Ortelius, detail from Aegyptus antiqua ( 1595 ). Over thirty editions of this Epitome were published in different languages.Auction: Books & Manuscripts - 2891T Location: Boston Date / Time: 12:00PM Description: Framed map, hand colored lightly toned, frame lightly scuffed, very good condition. In 1577, engraver Philip Galle and poet-translator Pieter Heyns published the first pocket-sized edition of the Theatrum, the Epitome. : Aegyptus Antiqua Terra suis contenta bonnis non indiga mercis Aut Iois, in solo tanta est fidcuia Nilo.: Antwerp: Theatrum Orbis Terrarum, 1609. The number of map sheets grew from 53 in 1570 to 167 in 1612 in the last edition. Editions were published in Dutch, German, French, Spanish, English, and Italian. The mucilaginous exudate of the crushed corms was also. The corms were used by the Cherokee as a dietary aid to 'endow children with the gift of eloquence'. It has been collected in Connecticut, Massachusetts and Vermont. Some 24 editions appeared during Ortelius's lifetime and another ten after his death in 1598. Putty-root, although considered globally secure, is rare throughout much of its range, and very rare in New England. Nothing was like it until Mercator's atlas appeared twenty-five years later. The importance of the Theatrum Orbis Terrarum for geographical knowledge in the last quarter of the sixteenth century is difficult to overemphasize. The Parergon can be called a truly original work of Ortelius, who drew the maps based on his research. Later editions included Additamenta (additions), resulting in Ortelius' historical atlas, the Parergon, mostly bound together with the atlas. ![]() This first edition contained seventy maps on fifty-three sheets. Pedmontanae Vicinorumque Regionum Auctore Iacobo Castaldo Descrip. It was one of the most expensive books ever published. ![]() He completed the atlas in 1569, and in May of 1570, the Theatrum was available for sale. In 1568 the production of individual maps for his atlas Theatrum Orbis Terrarum was already in full swing. In 1565 he published a map of Egypt and a map of the Holy Land, a large map of Asia followed. Ortelius (Abraham) Aegyptus Antiqua, two-sheet map of ancient Egypt, Antwerp, 1584. The inspiration for this map may well have been Gastaldi's large world map. In 1564 he published his first map, a large and ambitious world wall map. In addition, he travelled a lot and visited Italy and France, made contacts everywhere with scholars and editors, and maintained extensive correspondence with them. Luke as an "illuminator of maps." Besides colouring maps, Ortelius was a dealer in antiques, coins, maps, and books, with the book and map trade gradually becoming his primary occupation.īusiness went well because his means permitted him to start an extensive collection of medals, coins, antiques, and a library of many volumes. He learned Latin and studied Greek and mathematics.Ībraham and his sisters Anne and Elizabeth took up map colouring. The maker of the 'first atlas', the Theatrum Orbis Terrarum (1570), was born on 4 April 1527 into an old Antwerp family. ![]() Select the process(es) associated with Funter 1.2 in the list, click Quit Process icon in the left corner of the window, and click Quit in the pop-up dialog box (if that doesn’t work, then try Force Quit). Open Activity Monitor in the Utilities folder in Launchpad, and select All Processes on the drop-down menu at the top of the window. If Funter 1.2 is frozen, you can press Cmd +Opt +Įsc, select Funter 1.2 in the pop-up windows and click Force Quit to quit this program (this shortcut for force quit works for theĪpplication that appears but not for its hidden processes). Terminate Funter 1.2 process(es) via Activity Monitorīefore uninstalling Funter 1.2, you’d better quit this application and end all its processes. To fully get rid of Funter 1.2 from your Mac, you can manually follow these steps: 1. You should also be aware that removing an unbundled application by moving it into the Trash leave behind some of its components on your Mac. Mac users can easily drag any unwanted application to the Trash and then the removal process is started. Thus, different from the program uninstall method of using the control panel in Windows, Most applications in Mac OS X are bundles that contain all, or at least most, of the files needed to run the application, that is to say, Manually uninstall Funter 1.2 step by step: Continue reading this article to learn about the proper methods for uninstalling Funter 1.2. Removing all its components is highly necessary. But if you are trying to uninstall Funter 1.2 in full and free up your disk space, The settings of this program still be kept. Still remains on the hard drive after you delete Funter 1.2 from the Application folder, in case that the next time you decide to reinstall it, ![]() Generally, its additional files, such as preference files and application support files, When installed, Funter 1.2 creates files in several locations. Instead of installing it by dragging its icon to the Application folder, uninstalling Funter 1.2 may need you to do more than a simple drag-and-drop to the Trash. Unlike the software developed for Windows system, most of the applications installed in Mac OS X generally can be removed with relative ease.įunter 1.2 is a third party application that provides additional functionality to OS X system and enjoys a popularity among Mac users. During installation, Kaspersky Security flagged it as containing malware at which point our testing stopped.How to Uninstall Funter 1.2 Application/Software on Your Mac While we don’t want to write off these solutions completely, we advise caution when trying to use these duplicate photo finders. We attempted to download and install the following programs on a 2020 MacBook running macOS Big Sur and ran into some issues. Versions are available for older versions of macOS | □️ Last Update – November 17, 2021 □ Main Function – Data recovery | ⏱ Speed – Excellent | ⚙️ OS Requirements – macOS 10.5 or later. You may even avoid having to buy another storage device once the cleanup is complete. Selecting the right one can help you clean up your internal and external disks so you can create more usable storage space. ![]() ![]() Let’s take a look at the choices available in duplicate photo finder software for your Mac. A photo duplicate finder for your Mac can save you a lot of time while maximizing your free storage space. It can be difficult to find duplicates manually, especially if you have a large number of photos on your machine. Merely having duplicates just wastes valuable storage space. Backing up your photos to another device will protect them. Very often, disk space is at a premium and you may have to delete applications or programs to make room for newer additions.ĭuplicate photos can take up a lot of space, and there is absolutely no reason to have them on your storage devices. Why Do You Need a Duplicate Photo Finder for Mac?įor many Mac owners, it seems that no matter how large an internal disk you purchased with your computer, there is just never enough space for everything you want to store. ![]() This paper presents a systematic literature review (SLR) to survey the existing NeuroSE literature. In the past decade, brain and autonomic nervous system activity measurement received increasing attention in the study of software engineering (SE). ![]() This opens the doors to support many day-to-day software engineering tasks such as bug fixing, adding new features, and refactoring. iTrace and gazel completely revolutionize the way eye tracking studies are conducted in realistic settings with the presence of scrolling, context switching, and now editing. iTrace-Atom is evaluated via a series of simulations and is over 99% accurate at high eye-tracking speeds of over 1,000Hz. We introduce the iTrace-Atom plugin and gazel - a Python data processing pipeline that maps gaze information to changing source code elements and provides researchers with a way to query this dynamic data. We present a novel solution to support eye tracking experiments for tasks involving source code edits as an extension of the iTrace community infrastructure. However, a major limitation of these tools is their inability to track gaze data for activities that involve source code editing. Due to using the Deja Vu approach, this replication resulted in richer collected data and improved on the number of distinct syntactic categories that gaze was mapped on in the code.Įye tracking tools are used in software engineering research to study various software development activities. Finally, a proof of concept replication analysis of four tasks from two previous studies is performed. Results show that Deja Vu can playback 100% of the data recordings, correctly mapping the gaze to corresponding elements, making it a well-founded and suitable post processing step for future eye tracking studies in software engineering. This timing evaluation is performed in Visual Studio, Eclipse, and Atom IDEs. ![]() An evaluation of the method and tool is conducted using three different eye trackers running at four different speeds (60 Hz, 120 Hz, 150 Hz, and 300 Hz). A description of the method and corresponding tool, Deja Vu, is presented. Sessions are then replayed at a much slower speed allowing for ample time to map gaze point positions to the appropriate file, line, and column to perform additional analysis. Instead of performing gaze analysis in real time, all telemetry (keystrokes, mouse movements, and eye tracker output) data during a study is recorded as it happens. To alleviate this technological problem, a novel method for eye tracking data collection is presented. Unfortunately, higher data rates are more desirable as they allow for finer granularity and more accurate study analyses. However, it is not always possible to map each of these points to a line and column position in a source code file (in the presence of scrolling and file switching) in real time at data rates over 60 gaze points per second without data loss. ![]() High quality eye trackers can record upwards of 120 to 300 gaze points per second. The use of eye trackers is quickly becoming an important means to study software developers and how they comprehend source code and locate bugs. The paper introduces a fundamental technological problem with collecting high-speed eye tracking data while studying software engineering tasks in an integrated development environment. |
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