When PPL opens, select Print, then in the General Settings tab select your printer, Media Type, paper size, quality setting and other options. Adobe® Photoshop Elements®: File > Automation Tools > Canon Professional Print & Layout.Adobe® Photoshop®: File > Automate > Canon Professional Print & Layout.Adobe® Lightroom®: File > Plug-in Extras > Canon Professional Print & Layout.Canon Digital Photo Professional (DPP): File > Plug-in printing > Print with Professional Print & Layout.You can use PPL on its own or as a plug-in within your preferred image editing software: This is updated from time to time to support new models and features, so it's a good idea to check you have the latest version and, if not, download and install it first. ![]() There are very clear instructions and useful advice about this on the Hahnemühle website, for example.įor greatest control when printing using Canon printers, Canon recommends its own Professional Print & Layout (PPL) software. How do I use ICC profiles, and which ICC profile should I use?īefore you begin, if you're using third-party papers, you might have to download the appropriate ICC profile from the paper manufacturer's website. Every single paper needs its own, specific ICC profile." For example, I find that matte and Fine Art papers work really well for stonework in architectural shots. Ultimately, there's a wide selection of papers available which can better suit different types of image. "As well as glossy, matte, bright and natural, you've also got lustre, semi-gloss, pearl and a whole range of Fine Art papers. The latter can have optical brighteners in them, a bit like those used in laundry detergents, that react to ultra-violet and light up to give extra punch," he says. "Another factor is that some papers are 'natural white' whereas others are 'bright white'. There's a reduced range of brightness levels overall. A good quality matte photo paper might also have quite a bright 'paper white' value, but won't be able to reproduce such intense blacks. Its contrast and ability to display bright colours makes it great for vibrant landscapes, holiday snaps and the like. "Glossy paper has a particularly high dynamic range," Keith says, "and is able to reproduce very bright whites and very dark blacks. There's a huge range of photo paper types and styles on the market, with some being better suited to different types of photo image. Here Keith Cooper, owner of Northlight Images and renowned industry expert on all things print-related, answers your questions on how and why to use ICC profiles to ensure accuracy and optimum quality in your photo printing.Īre different types of paper better for different sorts of shots? In addition, by careful use of ICC profiles, you can get the best possible match between your image on-screen and in print, helping you avoid disappointment and frustration and put a stop to wasting time and money. However, there are some initial steps you can take to prevent common problems and minimise surprises, such as calibrating your monitor and adopting a colour-managed workflow. To some extent, of course, an image will never look exactly the same on paper as on screen, because a print is reflective with subtractive colours (meaning that the more ink you add, the darker and generally muddier colours become) while a computer screen is a transmissive light source itself, with additive colours (the more you add, the brighter and generally more intense colours become). Isn't it frustrating when what you get on paper doesn't match what you see on screen? Photo printing can seem like a dark art sometimes, even when you're using some of the latest and greatest printers, like the Canon imagePROGRAF PRO-300 and Canon PIXMA PRO-200.
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